|
 |
The Student
Symposium was held on Friday, February 29 in Room
348 of the Student Learning Center.
8:00am - 9:15am |
Feminist Thoughts
A Global Emergence of Feminism: Difference and the Personal is Political, Allison Stouffer
Becoming Feminist: Auto-ethnographic Rantings of a First-Timer, Lisbeth A. Berbary
Laying Claim to the Top Tier, Liz Kinnamon
|
9:30am - 11:00am |
Application of Feminist Thought
San Rock Painting in Southern Africa: Sexuality, Identity, and Meaning in the Life of Women and Girls, Lone Olebile
Feminist Critique of Fairytales, Christine Stedman
The Pressures of White Standards of Beauty Felt by Latinas, Amelia Welch
Dialectics of Dominance: Pearl Cleage and bell hooks on the Use of Violence, Beth Turner |
1:30pm - 2:45pm |
Feminist Research
How Black Women Human Resources Managers Negotiate Organizational and Personal Identities in a Corporation, Donna Drake-Clark
Bravely and Justly: 19th Century Feminists and the Occult Revival, Sara Amis
Women’s Activism Against Femicide: The Pink Cross Campaign in Ciudad Juarez, Mexico, Jenny Karubian |
3:00pm - 4:30pm |
Sexuality Studies
Keys of the Kingdom: A Model for Understanding the Impact of Religion and Spirituality on Addiction Issues for Gays and Lesbians, Rebecca Frye
Cases in Point: Legality, Literature, and Lesbian (In)visibility in Victorian England, Sarah Frank
Transsexual Individuals: Factors Associated with Life Satisfaction, Jonathyn S. Piper
Identity and Empowerment in Adolescent Dating Relationships, Michele Parker & J. Maria Bermudez |
4:45pm - 6:00pm |
Textual Analysis
The Promise of Donna Haraway’s Feminist Cyborg: The TX in Terminator 3, Caroline Barratt
Not a Girl, Not Yet a Women: The Teenage Femme Fatale in Pretty Persuasion, Karen Petruska
Homeboys and Hate-fucks: The Male Homosocial, Sex, and Violence in O and Othello, Victoria Reynolds |
| 6:15pm - 7:30pm |
Textual Analysis
A Peek Inside: Spectatorship and Identity in Marcel Duchamp’s The Given, Jenny M. Benne
I Can’t Give You Anything But Love: The Life and Lyrics of Dorothy Fields, Kristin Stultz
A “Self” in the Dark: The Gothic Mode in Elizabeth Barrett Browning’s “The Runaway Slave a Pilgrim’s Point,” Tiffany Ball
Interpreting Lucy: The Use of Multiplicities and Silence in Coetzee’s Disgrace, Miriam Brown |
|
|
|
 |
