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Fall 2003 Issue

Essays

 
Gerald Stern Bullet in My Neck
Gerald Majer

Dreaming of Roscoe Mitchell

Barry Lopez Southern Navigation
Peter Friederici 15 Ways of Seeing the Light
Gerald Weales American Theater Watch, 2002-2003

Fiction

 
Nance Van Winckel Funeral of the Virgin
Katherine Shonk The Wooden Villiage of Kizhi
Liza Ward Snowbound

Poetry

 
Dick Allen We Talk Physics into the Night
Nicholas Samaras After Smoke
Aliki Barnstone Ephemeral Ethereal
Baron Wormser Graduation
Bruce Beasley Soul Atoms
David Woo Tempo
Michael Chitwood The Cello
John Casteen Plant Life
Chase Twitchell Cocktail Music  and   Death's Portrait
Lola Haskins Some Geometries of Love and   On Ilkley Moor
Penelope Scambly Schott  April, Again   and  Under the Sun
Brooks Haxton Aught-One
Jayanta Mahapatra Genesis
Diane Seuss What Do You Believe In? I Believe in the Fog
Chris Forhan No Comment
John Stone Imagine with Me Now the Final Room
David Swanger Gozo Poderoso

Art

 
Lynn Davison Nothing Up My Sleeve

Reviews

 
Paul Zimmer From the Mummy's Breast
  (on Louie Skipper's The Fourth Watch of the Night; Christopher Sawyer-Laucanno's Les Mots Anglais; Frank Bidart's Music Like Dirt; Maria Melendez's Base Pairs; Anna Kirwan's The First Thing; and Sandra Meek's The Circumference of Arrival)
Sanford Pinsker The Revisionist Memory
  (on Avishai Margalit's The Ethics of Memory; Alvin Greenberg's The Dog of Memory: A Family Album of Secrets and Silences; Rebecca McClanahan's The Riddle Song and Other Rememberings; and The Remembered Gate: Memoirs by Alabama Writers, edited by Jay Lamar and Jeanie Thompson)
Kathleen Snodgrass Attention Must Be Paid
 

(on Emma Donoghue's The Woman Who Gave Birth to Rabbits; Sabina Murray's The Caprices; Iqbal Pittalwala's Dear Paramount Pictures; and Clarke Blaise's Pittsburgh Stories: Selected Stories, Volume 2)

Myles Weber (on Ira Nadel's Tom Stoppard: A Life)
Book Briefs by Karen Wilson, C. D. Albin, and Jack Smith

 

 

 

 

 

 

 

 

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