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Prospero's magic was a perfect metaphor for the performance lab's motion-capture technology, which actors can manipulate and interact with on stage. |
UGA's Interactive Performance Laboratory pushed the boundaries of live theater with this spring's production of Shakespeare's "The Tempest," which used motion-capture technology to combine actors with digitally created characters.
"Up to now, technology has been used in the theater to create flashy effects that ultimately serve to distract the audience from the drama and from the vitality of live performances," says David Z. Saltz, the play's director and the drama professor spearheading the Interactive Performance Laboratory. "We propose a new way to use technology that enhances the text, broadens the expressive range of actors, and redefines what it means for a performance to be live."
In "The Tempest," the spirit Ariel appeared on stage as a large-scale computer-animated figure whose movements and voice were controlled by a live actor. The actor was trapped in a small cage in full view of the audience, with sensors strapped to her head, wrist, elbows, hands, waist, knees, and ankles. The actor's movements turned the animated figure into a virtual puppet.
The digital technology enabled Ariel to disappear in a sparkle of lightand to fly, grow, shrink, stretch, and twirl. Ariel was able to transform herself into a monstrous harpy and a raging storm at sea. In one scene, she created a spectacular wedding celebration that vanished with the snap of a finger.
Buchanan named leader of year
Gale Buchanan, dean of the College of Agricultural and Environmental Sciences, was named a 1999 Leader of the Year by Progressive Farmer.
The editors of the magazine have been choosing agricultural leaders since 1943. In Buchanan's commendation, they cite him for "leading the charge in ensuring that land-grant agricultural colleges survive and endure in our society. As ag colleges face challenges in the form of immediate budget concerns and questions over their long-term viability, Gale Buchanan can be counted upon as a solid champion of their cause."
The editors of Progressive Farmer also applaud Buchanan for confronting critics who say that only 20 land-grant agriculture colleges will be needed by 2020.
Symposium honors the late Lois Miller
When Lois Miller was dying last fall, she asked that there be no funeral or memorial service. Friends asked the noted UGA scientist and member of the National Academy of Sciences if she would at least sanction a research symposium in her honor. Miller agreed, and a world-wide conference was held at UGA in Mayorganized, in part, by Miller's husband, entomology professor Karl Espelie.
"She was an amazing person," says genetics professor Jan Westpheling of Miller, who died Nov. 9. "She was unpretentious, self-effacing, and very soft-spoken. But when it came to science, she could be tough as nails. She was one of the most rigorous thinkers I've ever met."
Miller, who joined the UGA faculty in 1986, conducted ground-breaking research on the molecular genetics of insect viruses. One of the most beneficial results of her research was the development of genetically improved viruses for pesticides that control harmful pests with minimal effects on beneficial insects.
University creates new diversity post
The University is seeking candidates for a new senior administrative position that was created to foster diversity and increase recruitment and retention of minority students and faculty.
Karen Holbrook, senior vice president for academic affairs and provost, notes that UGA already ranks 11th among 125 major research universities in total tenured or tenure-track African-American faculty.
"But we are unequivocally committed," she says, "to increasing the diversity of our student body and our work force."
Course treats opera as imitator of life
The young woman is a prostitute dying of tuberculosis. Worse, her lover's father has shown up at her country house to tell her that she and his son have no future. She falls to piecesbut never stops singing.
Violetta is a character in "La Traviata" and a UGA English class has been watching a videotape of one of the scenes.
"So, what is your reaction to what you just saw?" asks English department head Anne Williams, who teaches "Literature and Music: Opera Heroines on Page and Stage."
Williams' students say they have bridged a cultural age gap by introducing opera to their "clueless twenty-something friends." |
"I have a hard time feeling that the father is just a jerk," says one female student. "His arguments aren't very good, but his motive is his love for his family." Others disagree, and they begin arguing about the father's motives, Violetta's powerlessness, and the general issue of fathers and daughters.
Williams' course is one of an increasing number of UGA courses that cross traditional academic boundaries. Eddie Dunlap, a senior English major from Peachtree City, says the course was a real eye-opener.
"Opera has a reputation for decadence and haughtinessbaggage not easy to overcome," he says. "Dr. Williams' class patiently held my hand through the rough periods of opera appreciation, giving me just enough knowledge to continue the pursuit on my own. Now I use opera to remind myself I'm human. It unites intellect and emotion in a uniquely contrived but positive way."
"When I walked into that opera class, I had no idea what to expect," says senior English and French major Tiffany Satterfield of Provo, Utah. "Today, I love opera and introduce my 'clueless' twenty-something friends to it on a regular basis. Dr. Williams is bridging a cultural age gap and offering an introduction to a beautiful and substantial art form."
Williams' interest in opera stems from her childhood in Comanche, Texas, where she listened to Metropolitan Opera broadcasts on the radio. Many of her students have never been exposed to feminist theory or opera, so it's a new world in many ways. But judging by the intensity of class discussions, they're having a good time arguing and studying how opera reflects lifeor doesn't.
Need a speaker? Call Roger Thomas
The Franklin College Outreach Program sent ecologist John Pickering to speak to the Athens Audubon Society. |
"Last month, you afforded me and the Georgia Wilderness Society the luxury of hearing one of your faculty speak on threatened rainforests," wrote Taylor. "Dr. Peter Brosius came down on short notice and did an excellent job.
Roger Thomas gets a real kick out of letters like that. A professor and former head of UGA's department of psychology, Thomas is in charge of the Franklin College Outreach Program, which provides speakers to Georgia schools, civic clubs, and other groups free of charge.
Growth in the speakers program has been dramatic. In its first year, 1993-94, 25 presentations were made. As evidence of its popularity, that number has increased tenfold.
"We've been able to meet more than 95 percent of the requests since the program began," says Thomas, who received the following words of praise from Cary Knapp of the Brunswick-Glynn Public Library in regard to comparative literature prof Lioba Moshi:
"Moshi is very personable, and the audience really enjoyed her (they stayed for two and a half hours!). She brought slides of Tanzania, which was a nice touch. Boy, does UGA have great teachers!"
Some speakers are available on a closed-circuit TV system called GSAMS. Requests for a list of speakers, artists, and musicians available from the Franklin College Outreach Program should be made by mail to:
Roger Thomas (FCOP, Psychology Building, UGA, Athens, GA 30602) or by sending Roger an e-mail mesage at fcop@uga.edu.