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Islamic
Art, Music, And Architecture Around The World
God is beautiful and loves beauty. (Inn Allaha jameel
wa-yuhibbu
l-jamaal) (A hadith of the Prophet Muhammad (s)in
Sahih
Muslim
1.93:91.
Table of Contents
Islamic Art
Muslim World Music
Muslim Musicians of Western Music
Islamic Architecture
A useful approach to Islam is through Islamic art. The recently
published curriculum guide Doorways to Islamic Art, contains a
series of slides, an accompanying
narrative, and guides to "hands-on" art projects, as well as other
materials, all of which are designed to immerse students in the beauty
of Islamic art.
Find its bibliography here.
Doorways to Islamic Art can be purchased from
AWAIR. Send them email
expressing your interest or go to the new website of AWAIR. AWAIR has recently
shifted its commercial operations to New Mexico, so if you have
experienced difficulties in your efforts to order Doorways to
Islamic Art or other AWAIR products, everything is up and running
now.
Baraka Ceramics
(link fixed 18 August 2005) is the website of a contemporary
American Muslim ceramicist, Khadija Chadley. Ms. Chadley's work could
be
described as traditionally Islamic yet with a contemporary flavor.
Reference
Tools in Islamic Art and Architecture
an
annotated bibliography compiled at Harvard by
Andras Riedlmayer of the Fine Arts Library at Harvard.
Online
Exhibition of Islamic Art at the Los Angeles County Museum of
Art.
In addition to images, it contains a summary of the dynastic
history of Islam and a
useful Introduction
to Islamic art written by Linda Komaroff Ph.D., the curator of
Islamic Art
at the LACMA.
Decoration
This article, by the scholar Priscilla P. Soucek, discusses "decoration"
in Persian Islamic art.
Aniconism and
Figural
Representation in Islamic Art, written by the art historian Terry
Allen, explores the relative absence of figures of living beings in
Islamic Art. (Link fixed, March 31, 2001.)
Islamic
Art By Elisabeth Siddiqui, this essay discusses the relationship of
Islamic art to the principles of Islam, a relationship that exists largely
for Muslim and spiritually interested viewers of Islamic art. This
"Islamic aesthetic" has been developed by writers such as S. H. Nasr,
Keith Critchlow, Titus Burckhardt, and Martin Lings. Western-trained art
historians such as Oleg Grabar generally do not share this perspective.
Zakariya Calligraphy is the website of the
world famous
American Muslim calligrapher, Mohamed Zakariya. Containing his articles on the art,
history, and the
practice of Islamic calligraphy, this website has a number of examples of Zakariya's
calligraphies done in the traditional style.
The Art of
Arabic Calligraphy is a four-part article
written by the calligrapher Mamoun Sakkal.
Islamic
Calligraphy includes sections on
Islamic calligraphic art, Muslim calligraphers, materials, impressive
examples of calligraphy, and the various scripts used in Islamic
calligraphy. The introduction (and possibly the entire site) was done by Khalid Mubireek. The
section titled "Calligraphic Collection" was adapted from , Islamic Calligraphy: Sacred
and Secular Writings. Musee d'art historie and Treasures of Islam, Geneva, 1988.
(Link
fixed, January 3, 2001 and October 6, 2001.)
Maghribi
Basmalah Calligraphed in the Maghribi style,
this is an extraordinary example of the Basmalah (Bismillahi r-rahmani
r-rahim) scanned from the book The Splendor of Islamic Calligraphy
by Abdelkebir Khatibi (New York: Rizzoli, 1977). (It is a relatively large
image so it may take a minute or so to load.)
The Baybars
Qur'an (link fixed 18 August 2005) The most highly regarded form of calligraphy was Qur'anic calligraphy. An
excellent example is the illuminated Qur'an of Sultan Baybars, done in the Mamluk
period in Cairo between 1304-1306 CE and held
in the collection of the British Library. (To view this link you will need Shockwave.)
Online
Islamic Art Gallery by Kathleen Seidel, consisting of numerous images
of Islamic calligraphy, illumination, and painting (including images of
Abraham, Muhammad, Ali, and various Sufis and dervishes),
as well as Islamic
metalwork, ceramics, and textiles, to mention a few. Ms. Seidel has
included this gallery, together with a Sufi Cookbook that she has
authored, in her online book Serving the Guest: a Sufi
Cookbook and Art Gallery.
International
Muslimah Artists' Network (IMAN) exhibition Here one can visit an on-line exhibit
of the art of a number of contemporary Muslim women artists. (Link fixed, October 6, 2001.)
From Desert to Oasis:
Arts of the People of Central
Asia, an exhibition of textiles from Central Asia, at the Georgia
Museum of Art of the University of Georgia, from Feb. 14 through
April 26, 1998.
Islamic
Art Exhibition of the Detroit Institute
of Arts is an excellent on-line exhibit with high-quality images.
(Fixed 8
September, 1999 and October 6, 2001).
Exhibit of Islamic
Amulets contains good quality images and detailed descriptions.
Lotus Art has online a number
of images of Islamic
calligraphies engraved in wood. The wood engravings are made and sold by
Lotus
Art, a company in Pennsylvania (US).
Music has traditionally been one of the more controversial issues in the
Muslim world. While all Muslim scholars have always accepted and even
encouraged chanting the call to prayer and the Qur'an, the
permissability of other forms of music, especially instrumental music, has
been problematic. In Arabic, the word musiqa, which is
translated as "music," even has a more narrow sense than does the
English word "music." Musiqa in Arabic refers mainly to popular and
instrumental music and excludes genres such
as Qur'anic chanting and the Muslim
call to prayer (adh'an). A good example of
an Islamic critique of music written by a Salafi/Wahhabi scholar Abu Bilal Mustafa
Al-Kanadi is Islamic
Ruling on Music and Singing (link fixed 13 June 2006). A brief article discussing Shaykh Ibrahim
Ramadan al-Mardini's refutation of such Islamic critiques of music
is titled Islamic scholar rejects
religious censorship of music
(by Ole Reitiv, Freemuse, 14 October 2005).
In spite of critiques such as al-Kanadi's, many forms of music have
traditionally been present in the Muslim world and are still found
throughout it today. The following links illustrate this
diversity:
RealPlayer is
necessary in order to hear most of the following audio files. Some
also take two or three minutes to load.
Qur'anic
Chanting is the most central form of music in
the Muslim world.
Adhan
(call to prayer, pronouned "a-dhaan")
heard at prayer times, it is the second major genre of Islamic music.
Madh
Chanting (poems of praise of the
Prophet Muhammad, pronounced "mad-h"), madh is most commonly done
during the celebration of the birth of the Prophet (mawlid
al-nabi).
Vocal
Dhikr (lit. remembrance) is the chanted repetition of a name or names
of God or--as in
this link-- a short phrase such as La ilaha ill Allah (There is no
god but God), which is a part of the Khatm-e Khwajegan litany
linked below.
Another example of a vocal dhikr--which in this case is accompanied by a
chant-- is this Uzbek Women's Dhikr
recorded in Kokand, Uzbekistan and linked from the site "The BBC Musical
Nomad," the full site of which is linked below.
Litanies (awrad,
pl.; wird, s.;), such as the
Khatm-e
Khwajegan are forms of vocal "remembrance" (adhkar, pl.; dhikr,
s.) chanted by many Sufi orders. They are generally more complex than
a simple dhikr, often combining various Qur'anic verses, supplicatory
prayers, and dhikr of names of God or certain religious phrases. The
Khatm-e Khwajegan is an important litany for the Naqshbandi order.
Sufi Sama' or Inshad generally consists of poems sung
in a Sufi gathering by one or more reciters. Sometimes these involve
refrains that are sung by all of the Sufis in attendance. Often the
poems sung are from the diwan (collected poems) of the founder or
current shaykh
of that
particular Sufi order. During
the singing, the Sufis in the gathering are occupied in meditation,
customarily contemplating God through dhikr (also written
zekr and zikir, meaning "remembrance"). A few samples of
Sufi sama', recorded during actual Sufi gatherings in Algeria, are at the
web page
Sama' of the
Alawi Sufis.
Sufi Rhythms for the Daf
By Peyman Nasehpour, this
website's most significant aspect is short but sufficient examples of nine different
daf rhythms. These can be listened to online or downloaded.
The
Mulid of Egypt (link fixed 18 August 2005) is a well-done site including audio and video that
introduces the ceremonies celebrating the birthdays of saints, called
mulid or mawlid. Although celebrated throughout the Muslim world,
these ceremonies, which may involve both music and "dance," are a very
important feature of life in Egypt. (This is now a dead site.)
Qawwali
Music, (link fixed December 23, 2000 and October 6, 2001) recently popularized in the
West by the Sabri Brothers and Nusrat Fath Ali Khan, is probably
the genre of Islamic music most familiar to non-Muslims. Another large online archive of Qawwali music (link fixed 18 August 2005)
is found at chandrakantha.com. A fine
example of Qawwali music is the Sabri Brothers' rendition of a well-known "poem in praise"
(madh) of
the Prophet, Balagha'l--ula
bi-kamalihi (link fixed 18 August 2005), a poem which is beloved throughout the Muslim world.
Shahram
Nazeri, one of Iran's premier vocalists, here superbly sings a classical Sufi
poem (Binama rukh keh bagh o golestanam arzust [Show me your face since I desire the orchard and garden]) by Rumi
accompanied by a variety of traditional Persian instruments.
Here is another track from his CD She'r-o-Erfan
(Poetry and Mysticism) (Man chera del be-to dadam [Why did I give my heart to you?]).
Iranian
Santur played by an Iranian Kurd, Alan Kushan, is a slightly modified
traditional Iranian santur, one of the many traditional
Persian musical
instruments.
Turkish Musical Library is an
extensive archive. Among the various genres included in the archive is that of traditional
Anatolian music, which is still popular throughout Turkey. To listen to more traditional
pieces,
after clicking on this link, then choose "Folk." Then scroll down to "CENTRAL ANATOLIA
REGION FOLK" and click on Haydar Haydar, performed by Ali Akbar Cicek. This piece, Haydar
Haydar, is introduced by lengthy runs on a long-necked
stringed instrument called a saz. (Note that it may take a few minutes
to load. Link fixed, October 10, 2001)
Uzbek
Music is one of the many forms of Islamic
regional music. This link, which will allow you to "mix" your own Uzbek music from a few
different sources, was taken from the BBC's Musical Nomad, listed
below. (This particular link takes a couple of minutes to load, but it
is well worth the wait.)
The BBC
Musical Nomad is a forty day odyssey through the Central Asian
countries of Kazakstan, Uzbekistan, and Krgyzstan. This site combines a
conversational easy-going travel narrative, informative cultural content,
images rarely seen in the West, and numerous extraordinary pieces of
music. It is probably the most impressive site that I have seen on
the web! And if you like the Musical Nomad, you will love The
Hundred Thousand Fools of God: Musical Travels in Central Asia (And
Queens, New York) by Theodore Levin, professor of Ethnomusicology at
Dartmouth College. This marvelous book, with accompanying CD, will bring
Central Asia to life for you.
Gamelan (link fixed 18 August 2005)
is a form of orchestral music
in Java (Indonesia). The Gamelan
orchestra is comprised of a number of instruments which
are described and can be seen at the previous link. While the first example
is of the"Loud
Style," the second is an example of a
"soft" vocal piece (link fixed 18 August 2005).
Kiai
Kanjeng Islamic Gamelan music from Indonsia.
Debu:
American-Indonesian Sufi Fusion Music under the guidance of Shaykh
al-Fattah
al-Rifa'i (originally from the United States), whose community is
now based in Jakarta.
Sesungguhnya
and Peristiwa
Subuh (link fixed, Dec. 16, 2004 and Nov. 1, 2006) performed by the
group Kumpulan
Raihan are two very sweet examples of
contemporary Malay Nasyid (Islamic spiritual songs). Transliterations and
translations are now included. In addition to the preceding songs,
listen to Raihan's pleasantly upbeat Syukur
(Thanks) (link fixed Nov. 1, 2006) You can listen to it repeating
continuously (which I
like to do) by clicking twice on the far left dial on the following
icon.
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