Lauren Domenick

Artist Statement

Cuba's long, tumultuous, and politically vacillating history since its colonization has brought about waves of change in the philosophical and artistic thought and expression of the island's people. Cuban artists have experienced and dealt with changes in the regulations imposed on their artistic expression, ranging from enduring or rebelling against strict censorship to having "freedoms" of creative expression where other public arenas may have experienced creative oppression. What have remained constant, however, through various regime and censorship changes, have been the peculiarly identifiable Cuban characteristics of national identity and resilience.

Having traveled to Cuba, I was able to experience this culture, which is marked by warmth and optimism despite its physical decay and proud, yet stagnant, ideology. Each artist that I had the privilege of meeting had a different story behind his or her work, but there was always an underlying common thread that expressed something of the nature of the modern artist inside and outside of his or her native Cuba.

I created a work of art that came about through seeking out the evolving identities of the Cuban artist which, in effect, has evolved my own sense of artistic expression. With this piece, I seek to bring attention to both the powerful barriers and the strong linkages that exist between Cuba and the United States and the people who are in the middle of this paradoxical relationship. The main structure of this sculptural representation is a raft, constructed in the fashion of the "Balserosâ" to signify the precarious hope that I have for Cubans and Americans to have a more open relationship while allowing Cubans to retain their unique identity.

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