ARCO CHAMBER ORCHESTRA
 
 

The ARCO Chamber Orchestra:was founded in 1989 by Levon Ambartsumian, at the world-renowned Moscow Tchaikovsky Conservatory, where he served as Professor of Violin. Among its hand-picked charter members were a few instructors, some of his students, and several recent graduates from the Conservatory. Almost immediately ARCO performances throughout Europe drew the kind of high critical praise and enthusiastic audience responses typified by this account in the French newspaper L'Est Republicain:

     "[Mr. Ambartsumian]... maintains the tradition of the Russian
           musical education which leads to perfection.  Whether he
           strokes the strings of this violin with his bow or conducts his 
           orchestra with his dancing hands, Levon Ambartsumian thinks 
           only to serve the musical work.  The orchestra members, many
           of whom are young, clearly have a passion for playing music...
           The public held their breath, astonished by the perfection of
           the interpretation"
           

The international acclaim grew in subsequent years, following ARCO's concert tours in Italy, France, Germany, Romania and Korea.

In 1995, Mr Ambartsumian joined The University of Georgia's School of Music as the Franklin Professor of Violin, while remaining the artistic director and conductor of ARCO. Because he was able to bring some of his students to America with him, the home base of the orchestra shifted to this hemisphere, where the ensemble has now become a talented blend of Russian and American musicians. Professor Ambartsumian's goal is to establish ARCO as one of America's premier chamber orchestras. Many of those who marvel at the well-trained group's unique combination of precision and passion believe that his goal has already been met with notable success. Their recent tours have, once again, consistently drawn high praise:

     The reading had heart and soul.  There was a throbbing nature to
          the playing, an intensity of feelings. Everything seemed planned
          and prepared carefully. And yet, not for a moment was there a
          lack of spontaneity or vitality.  This was a first rate
          performance.
          --  The Herald Times,USA 
     A wonderful performance.... subtle and delicate, yet good and
          lusty when called for.... The Tchaikovsky Serenade for
          Stringsundoubtedly made the greatest impression.  It was a
          high voltage, utterly idiomatic reading that brought the
          audience to its feet before its last echoes reached the back of
          the church..... It's a wonder that people were not dancing in
          the aisles.  
           -- The Ottawa Citizen," Canada