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Womanist Theory and Research
Vol. 2.1/ 2.2 (1996-97)

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Please note: Some essays contain superscript, which may affect line heights or textual placement, depending on which browser you use.

Table of Contents:

Elizabeth McIver: Photographs/Front Cover, Centerfold

Layli Phillips: The Child Is Mother to the Woman(ist): A Tribute to Mills’ College The Womanist: A Women of Color Journal

Cheryl Rodriguez: Anthropology and Womanist Theory: Claiming the Discourse on Gender, Race and Culture

Lioba Moshi: The Manifestation of Gender in Some African Languages

Marlowe A. Miller: "Getting Themselves Together": The Blues Tradition in Sherley Anne Williams' "Some One Sweet Angel Chile"

Freda Scott Giles: In Their Own Words: 
Pearl Cleage and Glenda Dickerson Define Womanist Theatre


Fawzia Afzal-Khan: Bridging the Gap Between So-Called Postcolonial and Minority Women of Color: A Comparative Methodology for Third World Feminist Literary Criticism

Michael D. Hill: "You Wanna Go Deep, I Take You Deep": African-American and Womanist Consciousness in Imperceptible Mutabilities of the Third Kingdom 

Jeanne Phoenix Laurel: Slave Narrative Retentions in African-American Women’s Writings About Madness

Darren Rhym: "Here’s for the Bitches": 
An Analysis of Gangsta Rap and Misogyny


A Tribute to Terri Lynn Jewell, 1954-1995/
The Crossing Press 

Co-Editors:

Barbara McCaskill
Department of English
The University of Georgia
Athens, GA 30602-6205

Layli Phillips
Women's Studies Department
Georgia State University
Atlanta, Georgia 30314

Special thanks to R. Baxter Miller, Heather Mitchell, Nicholyn Hutchinson, Tracy Butts, Trela Anderson, Kirsten Rambo, Seretha Williams, Terrell Carlton, Richard Lane, Marlene Allen, Valerie Levy, Brennan Collins, Debbie Price, Donnette Parks, and Kendra Freeman.

Copyright © 1996 by the Institute for African-American Studies. All rights reserved.

 ISSN 1077-0380 (new ISSN pending)